Professional curriculum

Enrico Bagnoli

Chronology of activities and productions — 1979–2024
1979
  • Begins working in the theatre as a stage assistant at the Affratellamento, Niccolini and Rondò di Bacco theatres in Florence.
1980
  • Works as a technician for two consecutive seasons at the Teatro Comunale Manzoni in Pistoia as a stage machinist, and as a builder at the company Tetnica of Vincenzo Benati.
1981
  • Collaborates on the stagings for the International Review of Repertory Theatres (Rassegna Internazionale dei Teatri Stabili), in particular the show Act Without Words by S. Beckett, directed by G. Sepe.
1982
  • PINOCCHIO, directed by A. Pratesi, children’s show, staging and international tour as head technician.
1983
  • TRITTICO DI SCHÖNBERG, directed by Pier’alli for the Teatro alla Scala in Milan, staging technician.
1984
  • CANTIERE INTERNAZIONALE D’ARTE DI MONTEPULCIANO, staging technician.
  • SANTA GIOVANNA DEI MACELLI, directed by Luca Ronconi, production of the Teatro Comunale Manzoni of Pistoia, staging technician.
1985
  • Restaging of IL CORTILE by the Sosta Palmizi association. The show wins the PREMIO OPERA PRIMA DI NARNI and the PREMIO UBU 1985 for best Dance-Theatre show; it takes part in numerous international festivals; technical manager of the stagings.
  • IL PASSAGGIO, based on The Sea Wall (Una diga sul Pacifico) by M. Duras, directed by Thierry Salmon, production of the Centro per la Sperimentazione e la Ricerca Teatrale of Pontedera. Lighting Design.
  • FESTIVAL PUCCINIANO DI TORRE DEL LAGO, staging of TOSCA by Giacomo Puccini, directed by S. Sequi, collaboration on the Lighting Design.
  • BOHÈME, by Giacomo Puccini, directed by L. Alberti, collaboration on the Lighting Design.
  • ZOT, MEETING BETWEEN COMIC FORCES AND COSMIC FORCES, Estate Aretina. Lighting Design and technical direction of the Festival.
  • COSI’ DANZA L’EUROPA, Castiglioncello, staging of the Riga Opera Ballet and of the dance show Francesca da Rimini, directed by Beppe Menegatti with Carla Fracci. Realisation of the Lighting Design.
  • Theatre season 1984-1985 of the Teatro Regionale Toscano, head electrician on the show Cattivi si nasce by and with Bustric.
  • TENTAZIONI, exhibition conceived by P. Lucchesini, lighting design and installation.
1986
  • PREMESSE ALLE TROIANE, from The Trojan Women by Euripides, directed by Thierry Salmon, production of the festival “La cittadella del Teatro” of Santarcangelo. Lighting Design.
  • RUVIDO UMANO, by Mariangela Gualtieri and Cesare Ronconi, directed by Cesare Ronconi, co-production between the Centro Teatrale S. Geminiano of Modena and the Teatro della Valdoca, winner in 1985 of the Premio UBU for research. Lighting Design.
  • STANZE PARALLELE, choreography and performance by Teri Weikel, American choreographer and dancer, production of the Centro Teatrale S. Geminiano of Modena. Lighting Design.
  • TUFO, second collective creation of the dance-theatre group “Sosta Palmizi”, production of the Centro Inteatro of Polverigi. Lighting Design and construction of the set.
  • A. DA AGATHA, from the text Agatha by Marguerite Duras, directed by Thierry Salmon, production of the Centro per la Ricerca e Sperimentazione Teatrale of Pontedera and the Centro Teatrale S. Geminiano of Modena. The show wins the UBU prize for best direction among all Italian productions of 1986. Lighting Design.
  • IL RITRATTO DI DORIAN GRAY, by Oscar Wilde, directed by Giuliano Vasilicò. Lighting Design.
1987
  • LA SIGNORINA ELSE, by Arthur Schnitzler, directed by Thierry Salmon, co-production between A.T.E.R. Emilia Romagna Teatro and the Centro Teatrale S. Geminiano of Modena. Lighting Design.
  • SSTT..., choreography by Raffaella Giordano, Swiss-Italian international co-production of the Sosta Palmizi association. Lighting Design.
  • SCHMAH, choreography and performance by Caterina Sagna and Tomeu Verges. Italian-Spanish international co-production. Lighting Design.
1988
  • CANTOS, by Mariangela Gualtieri, directed by Cesare Ronconi, co-production between the Centro Teatrale S. Geminiano of Modena and the Teatro della Valdoca. Lighting Design.
  • LIGHTING DESIGN PROJECT FOR THE STAGE SPACE AND THE GARDEN INSIDE THE ROCCA OF THE MUNICIPALITY OF CASTIGLIONE DEL LAGO, collaborates with the architect Severpaolo Tagliasacchi on the realisation of the project as lighting consultant.
  • LE TROIANE, by Euripides, directed by Thierry Salmon. Lighting Design. Designs and builds propane gas lighting fixtures, which are used, first as prototypes and finally in their definitive form, in the various stages of the project:
  • LA CASA DI PRIAMO, Naples, Teatro Nuovo, 14-15-16 March, production Teatri Uniti.
  • LO SCUDO DI ETTORE, Hamburg, Kampnagel, 25-26-27 May, production Festival der Frauen.
  • LA TOMBA DI ACHILLE, Avignon, Cloître du cimetière de la Chartreuse, 10-18 July, production Chartreuse de Villeneuve-Lez-Avignon, Festival d’Avignon; Marseille, 26-29 July, production Festival des Iles-Eté Marseillais.
  • LE TROIANE, Gibellina, 2-10 September, production Orestiadi di Gibellina.
1989
  • VOLUME !!! (in Dolby Stereo), written and performed by the Banda Osiris, co-production Banda Osiris/Teatro dell’Elfo. Lighting Design.
  • EDIPO IPERBOREO, text and direction by Raoul Ruiz, production of the Centro per la Ricerca e Sperimentazione Teatrale of Pontedera. Lighting Design. Alongside the show, a feature film directed by Ruiz himself is made.
  • ECHI DI UN TRAMONTO ALLE FONTI, text and direction by Dominique Durvin, production Montalcino Teatro 1989, theoretical-practical solar lighting project.
  • NENA E NINNI’, project and direction by Ornella Marini, co-production Centro per la Ricerca e Sperimentazione Teatrale of Pontedera, Teatro di Rifredi. Lighting Design.
  • MAX, Story of an ordinary man different from the others, by and with Vasco Mirandola, directed by Ted Keijser, Moby Dick produzioni, Mira. Lighting Design.
  • LE TROIANE, new staging in Brussels at the Halles de Schaerbeek, directed by Thierry Salmon. Lighting Design.
1990
  • IL POZZO DEI PAZZI, by Franco Scaldati, directed by Elio De Capitani, production of the Piccolo Teatro di Palermo. Lighting Design.
  • ZOE, by Giancarlo Cabella, directed by Ruggero Cara, with Angela Finocchiaro, production A.T.E.R. Emilia Romagna Teatro. Lighting Design.
  • LEONCE E LENA, by Georg Büchner, adaptation and direction by Ferdinando Bruni, production of the Teatro dell’Elfo. Lighting Design.
  • EDIPO, from Artaud, Blake, Pasolini, Scaldati, scenic writing and direction by Matteo Bavera, production of the Piccolo Teatro di Palermo. Lighting Design.
  • IL RITORNO DI IFIGENIA, by Ghiannis Ritsos, directed by Franco Però, with Renata Palminiello, production A.P.A., Teatro Due of Parma. Lighting Design.
  • EXERCICES DE CONVERSATION ET DE DICTION FRANÇAISE POUR ÉTUDIANTS AMÉRICAINS, by Eugène Ionesco, music by Isabelle Aboulker, conducted by Mstislav Rostropovich, directed by Alain Maratrat, production Rencontres Musicales d’Evian. Lighting Design.
  • PASSEPORT MUSICAL POUR PARIS, text and direction by Alain Maratrat, music by Isabelle Aboulker, conductor Mstislav Rostropovich, production Rencontres Musicales d’Evian. Lighting Design.
  • I MAGHI, text and direction by Raoul Ruiz, production of the Centro per la Ricerca e Sperimentazione Teatrale of Pontedera. Lighting Design.
  • LA SPOSA DI MESSINA, by Friedrich Schiller, directed by Elio De Capitani, sets by Mimmo Paladino, production Orestiadi di Gibellina 1990. Lighting Design.
  • DIALOGUE ENTRE L’HUITRE E L’AUTRUCHE, from Lewis Carroll, project by Marianne Pousseur, directed by Christophe Galland, co-production Atelier Sainte Anne-Brussels, Théâtre des Bernardines-Marseille, Indigo Brussels. Lighting Design.
  • UNA STAGIONE ALL’INFERNO, by Arthur Rimbaud, project, translation and direction by Ferdinando Bruni, production of the Teatro dell’Elfo. Lighting Design.
1991
  • SI L’ETE’ REVENAIT, by Arthur Adamov, directed by Isabelle Pousseur, co-production Théâtre Ocean Nord Brussels, Les Bernardines Marseille, Atelier Sainte Anne Brussels, Festival d’Avignon. Lighting Design.
  • IL RISVEGLIO DI PRIMAVERA, by Frank Wedekind, directed by Elio De Capitani, production of the Teatro dell’Elfo. Lighting Design.
  • TRE STUDI PER I DEMONI, from “The Demons” by Fyodor Dostoevsky, directed by Thierry Salmon, production of the Centro Teatrale San Geminiano of Modena. Lighting Design.
  • IL SOGNO, by August Strindberg, directed by Isabelle Pousseur, co-production Théâtre Ocean Nord Brussels, Théâtre de la Place Liège, Théâtre National Brussels, Festival d’Avignon. Lighting Design.
  • LE ESEQUIE DELLA LUNA, text and direction by Roberto Andò, music by Francesco Pennisi, production Orestiadi di Gibellina 1991. Lighting Design.
  • PERSEO E ANDROMEDA, from Jules Laforgue, music by Salvatore Sciarrino, directed by Giorgio Marini, production Orestiadi di Gibellina 1991. Lighting Design.
  • QUADRIGLIE, from “The Demons” by Fyodor Dostoevsky, directed by Thierry Salmon, production of the Moscow drama school directed by Anatoly Vassiliev. Lighting Design.
  • L’AIR FRAIS DES JARDINS PUBLICS, by and with Marianne Pousseur and Simonne Moesen, from Lewis Carroll, songs written by Denis Pousseur, with the complicity of Alain Fourneau, production of the Théâtre Atelier Ste Anne, Set Design and Lighting Design.
1992
  • ZARZUELA! HISTORIA DE UN PATIO, concept by Alita Baldi, text by Jean-Claude Carrière, directed by Alain Maratrat, co-production Overture Paris, Wiener Festwochen Vienna, Festival d’Avignon. Lighting Design.
  • METAMORFOSI DI UNA MELODIA, project and direction by Amos Gitai, with Hanna Schygulla and Samuel Fuller, production Orestiadi di Gibellina. Lighting Design and technical direction.
  • NARCISO, music by Aldo Clementi, directed by Giorgio Marini, set design by Duane Michals, production Orestiadi di Gibellina. Lighting Design and technical direction.
  • DES PASSIONS, from “The Demons” by F. Dostoevsky, directed by Thierry Salmon, co-production Drama Teatri Modena, Sigizye Brussels. Lighting Design.
1993
  • HERCULES, opera by G.F. Handel, directed by Alita Baldi, conducted by Jean Claude Malgoire, production Atelier lyrique de Tourcoing, Opéra de Montpellier. Lighting Design.
  • HOMBRE, directed by Virginie Jortay, production Théâtre de la Balsamine Brussels. Lighting Design.
1994
  • PENTY 2, from Heinrich von Kleist, directed by Jacques Delcuvellerie, production KunstenFestivaldesArts, KVS Brussels. Lighting Design.
  • O’NEILL, (en geef ons de schaduwen), directed by Luk Perceval, production Blauwe Maandag Compagnie Ghent. Lighting Design.
  • ARLEQUIN POLI PAR L’AMOUR, by Pierre de Marivaux, directed by Nathalie Mauger, production Théâtre le Public Brussels. Lighting Design.
  • LA DOUBLE INCONSTANCE, by Pierre de Marivaux, directed by Nathalie Mauger, production Théâtre le Public Brussels. Lighting Design.
  • A. DA AGATHA, from the text Agatha by Marguerite Duras, directed by Thierry Salmon, new staging for the KunstenFestivaldesArts in Brussels. Lighting Design.
  • Begins work on the development of the PROSCENIUM project, software to turn a personal computer into a professional lighting console.
1995
  • LA MÈRE, from Bertolt Brecht, directed by Jacques Delcuvellerie. Lighting Design.
  • FAUSTAE TABULAE, from Faust by Wolfgang von Goethe, directed by Thierry Salmon, production KunstenfestivalDesArts Brussels. Lighting Design.
  • MADAME MARGUERITE, directed by Thierry Salmon, Théâtre Le Public Brussels. Lighting Design.
  • COSI’ FAN TUTTE, by Mozart, directed by Isabelle Pousseur, conducted by Claire Gibault, production Opéra de Liège. Lighting Design.
  • PROMETHEUS, by Alexander Scriabin, conductor Pierre Bartholomée, production Orchestre de Liège, Concept, Set Design and Lighting Design.
1996
  • SONG BOOKS, by John Cage, concept with Marianne Pousseur, Set Design and Lighting Design.
  • REPONS III - DON JUAN A GNIDE, ou les Séductions de la Chasteté, opera by Henri Pousseur. Set Design and Lighting Design.
  • BORODINE, concert for symphony orchestra and light, conductor Dirk Vermeulen, production Prima La Musica Ghent, Concept and Lighting Design.
  • TEMPLE DU CHOCOLAT, design of the computer system for the automation of the Chocolate Museum in Brussels, production Cote d’Or, Euroculture.
1997
  • TEN OORLOG, by Tom Lanoye, directed by Luk Perceval, production De Blauwe Maandag, Vooruit Ghent. Lighting Design.
  • The show is made up of six parts:
  • IN DE NAAM VAN DE VADER EN DE ZOON: Richaar Deuxieme + Hendrik Vier.
  • ZIE DE DIENSTMAAGD DES HEREN: Hendrik de Vijfden + Margaretha di Napoli.
  • EN VERLOS ONS VAN HET KWADE: Edwaar The King + Risjaar modderfokker Den Derde.
  • LE CHANT DES TÉNÈBRES, from Bertolt Brecht, music by Hanns Eisler, with Marianne Pousseur. Direction, Sets. Lighting Design, Video.
  • ROSENCRANTZ AND GUILDENSTERN ARE DEAD, by Tom Stoppard, directed by Letizia Quintavalla and Bruno Stori. Lighting Design.
1998
  • FRANCISKA, by Frank Wedekind, directed by Luk Perceval, production Toneelhuis Antwerp. Lighting Design.
  • SCHLACHTEN, by Tom Lanoye, directed by Luk Perceval, production Salzburg Festspiele. Lighting Design.
  • DE SLEUTEL, by Junichiro Tanizaki, directed by Guy Cassiers, production Het Ro Theater Rotterdam. Lighting Design.
  • MARTIN PROFESSIONAL A/S, begins exclusive distribution of the Martin ProScenium DMX software. The product will be distributed exclusively in more than ninety countries worldwide.
1999
  • ANNA KARENINA, from Lev Tolstoy, directed by Guy Cassiers, production Het Ro Theater Rotterdam. Lighting Design.
  • 11 BRIDGES IN CHICAGO, lighting project for 11 bridges in the city of Chicago, Illinois, USA, design and construction of the lighting control system.
  • MIDZOMMERNACHTSDROOM, from William Shakespeare, directed by Mark Rothman, production Ro Theater, Rotterdamse Schouwburg Rotterdam. Lighting Design.
2000
  • HISTOIRE DE BABAR, music by Francis Poulenc, project in collaboration with Marianne Pousseur, production Opéra de Rouen, Direction, Sets, Lighting and Costumes, Video and Animation.
  • AARS, An anatomical study of the Oresteia, by Peter Verhelst, directed by Luk Perceval. Lighting Design.
  • QUAI OUEST, by Bernard Marie Koltès, directed by Isabelle Pousseur, production KunstenfestivalDesArts Brussels. Lighting Design.
  • LOS ANGELES AIRPORT, lighting project for Los Angeles Airport, USA, design and construction of the lighting control system.
  • TURKMENISTAN MONUMENT OF INDEPENDENCE, lighting project for the Independence Monument in Ashgabat, Turkmenistan, design and construction of the lighting control system.
2001
  • L’ENFANT ET LES SORTILÈGES, music by Maurice Ravel, libretto by Colette, conducted by Oswald Sallaberger, production Opéra de Rouen, Direction, Sets. Lighting Design.
  • THE WOMAN WHO WALKED INTO DOORS, by Roddy Doyle, music by Khris Defoort, directed by Guy Cassiers, conductor Patrick Davin, production LOD Ghent. Lighting Design.
  • VOYAGE D’ÉLÉPHANTS, from Rudyard Kipling, Direction, Set Design. Lighting Design, production Theatre Musical Possible Liège.
  • MACS, lighting of the “MACS” Museum for the opening night of the Museum of Contemporary Arts of the Wallonia-Brussels Federation, Grand Hornu, Mons, Belgium. Lighting Design.
2002
  • L. KING OF PAIN, from King Lear by William Shakespeare, directed by Luk Perceval. Lighting Design.
2003
  • PEER GYNT, by Ibsen, music by Grieg, project in collaboration with Marianne Pousseur, production Muziektheater Transparant with the Théâtre de la Balsamine and Opéra en île de France, Direction, Sets, Lighting and Costumes, Video and Animation Design. For the set design and lighting of this show Enrico Bagnoli was nominated for the Belgian theatre critics’ awards.
  • PROUST 1 DE KANT VAN SWANN, from Marcel Proust, directed by Guy Cassiers, production Ro Theater Rotterdam. Lighting Design.
2004
  • MACBETH, by William Shakespeare, directed by Luk Perceval, production Het Toneelhuis Antwerp. Lighting Design.
  • PROUST 2 DE KANT VAN ALBERTINE, from Marcel Proust, directed by Guy Cassiers, production Ro Theater Rotterdam. Lighting Design.
  • PROUST 3 DE KANT VAN CHARLUS, from Marcel Proust, directed by Guy Cassiers, production Ro Theater Rotterdam. Lighting Design.
  • CARA MIA, music by Dick van der Harst, production LOD Ghent, Set Design and Lighting Design.
  • The City of Brussels asks him to create the new permanent Son et Lumière of the “Grand Place de Bruxelles” to music by the composer Pierre Henry.
  • ELETTRA, by Hugo von Hofmannsthal, directed by Andrea De Rosa, production of the Teatro Mercadante of Naples and of the Festival del Teatro Stabile of Turin. Lighting Design.
  • VOIX ET VUES PLANÉTAIRES, by Henri Pousseur, performed by Michel Butor, production of the Théâtre de la Balsamine in Brussels, computer concept and stage space design. Lighting Design.
2005
  • PROUST 4 DE KANT VAN MARCEL, from Marcel Proust, directed by Guy Cassiers, production Ro Theatre Rotterdam. Lighting Design.
  • YERMA, vraagt een toefeling, by Federico Garcia Lorca, directed by Marijke Pinoy, production LOD Ghent. Lighting Design.
  • DER FLIEGENDE HOLLÄNDER, opera by Richard Wagner, directed by Guy Cassiers, production Théâtre Royal de la Monnaie Brussels. Lighting Design.
  • BEDROG, by Harold Pinter, directed by Peter Van Kraaij, production Toneelgroep Amsterdam. Lighting Design.
2006
  • ONEGIN, by Aleksandr Pushkin, directed by Guy Cassiers, production Het Toneelhuis Antwerp, LOD Ghent. Lighting Design.
  • HERSENSCHIMMEN, from J. Bernlef, directed by Guy Cassiers, production Ro Theatre Rotterdam. Lighting Design.
  • MEFISTO FOREVER, by Tom Lanoye from Klaus Mann, directed by Guy Cassiers, production Het Toneelhuis Antwerp. Lighting Design.
  • MAGIC BOX, from « La boîte à joujoux » and « Children’s corner » by Claude Debussy. Concept together with Marianne Pousseur, Palais des Beaux-Arts, Brussels, Direction, Sets, Lighting, Video and Animation.
2007
  • AN HISTORY OF THE WORLD IN 10,5 CHAPTERS, by Julian Barnes, directed by Guy Cassiers, production Het Toneelhuis Antwerp, Visual Dramaturgy and Lighting Design.
  • WOLFSKERS from Aleksandr Sokurov, directed by Guy Cassiers, production Het Toneelhuis Antwerp, Visual Dramaturgy and Lighting Design.
  • Lighting of the “Palais de Justice” in Brussels for the opening of the 2007 judicial year.
2008
  • ISMENE, from Yannis Ritsos, first episode of the Trilogy of the Elements. Concept with Marianne Pousseur, Direction, Sets, Video, Lighting. For this show Enrico Bagnoli receives the Belgian theatre critics’ award for best artistic and technical creation.
  • ATROPA from Aleksandr Sokurov, directed by Guy Cassiers, production Het Toneelhuis Antwerp, Visual Dramaturgy and Lighting Design.
  • DE GERUCHTEN, from Hugo Claus, directed by Guy Cassiers, production Het Toneelhuis Antwerp, Visual Dramaturgy and Lighting Design.
  • ORIGINE, choreography by Sidi Larbi Cherkaoui, production Het Toneelhuis Antwerp. Lighting Design.
2009
  • THE HOUSE OF THE SLEEPING BEAUTIES, by Yasunari Kawabata, music by Kris Defoort, directed by Guy Cassiers, production LOD Ghent. Lighting Design.
  • UNDER THE VOLCANO, from Malcolm Lowry, directed by Guy Cassiers, production Het Toneelhuis Antwerp, Visual Dramaturgy and Lighting Design.
  • ADAM IN BALLINGSCHAP, opera by Rob Zuidam, production of the Amsterdam Opera, directed by Guy Cassiers, Set Design and Lighting Design.
2010
  • DAS RHEINGOLD, opera by Richard Wagner, directed by Guy Cassiers, conducted by Daniel Barenboim, production Teatro alla Scala of Milan, Staatsoper of Berlin, Set Design and Lighting Design.
  • DIE WALKÜRE, opera by Richard Wagner, directed by Guy Cassiers, conducted by Daniel Barenboim, production Teatro alla Scala of Milan, Staatsoper of Berlin, Set Design and Lighting Design. Opening show of the Teatro alla Scala season (7 December).
  • MUSIL 1, De parallelactie, from The Man Without Qualities by Robert Musil, directed by Guy Cassiers, production Het Toneelhuis Antwerp, Visual Dramaturgy and Lighting Design.
  • LICHTFESTIVAL GENT, the city of Ghent asks him to develop an artistic project for the concept of the new Festival of Light.
2011
  • SANG ET ROSES, by Tom Lanoye, Cour d’Honneur of the Festival d’Avignon, directed by Guy Cassiers, production: Festival d’Avignon, Het Toneelhuis Antwerp, Visual Dramaturgy and Lighting Design.
  • MUSIL 2, Het mystieke huwelijk, from The Man Without Qualities by Robert Musil, directed by Guy Cassiers, production Het Toneelhuis Antwerp, Visual Dramaturgy and Lighting Design.
  • HEART OF DARKNESS, from Joseph Conrad, directed by Guy Cassiers, production Het Toneelhuis Antwerp, Visual Dramaturgy and Lighting Design.
  • DE GEHANGENEN, by Josse de Pauw, directed by Josse de Pauw, production LOD Ghent. Visual Dramaturgy and Lighting Design.
2012
  • SIEGFRIED, opera by Richard Wagner, directed by Guy Cassiers, conducted by Daniel Barenboim, production Teatro alla Scala of Milan, Staatsoper of Berlin, Set Design and Lighting Design.
  • GÖTTERDÄMMERUNG, opera by Richard Wagner, directed by Guy Cassiers, conducted by Daniel Barenboim, production Teatro alla Scala of Milan, Staatsoper of Berlin, Set Design and Lighting Design.
  • MUSIL 3, De misdaad, from The Man Without Qualities by Robert Musil, directed by Guy Cassiers, production Het Toneelhuis Antwerp, Visual Dramaturgy and Lighting Design.
2013
  • DAS RING DER NIBELUNGEN, the complete Tetralogy by Richard Wagner, directed by Guy Cassiers, conducted by Daniel Barenboim, production Teatro alla Scala of Milan, Staatsoper of Berlin, Set Design and Lighting Design.
  • L’ENFANT ET LES SORTILÈGES, music by Maurice Ravel, libretto by Colette, conducted by Philippe Gérard, production Opéra de Liège, Direction, Sets, Lighting.
  • PHÈDRE, from Yannis Ritsos, second episode of the Trilogy of the Elements. Concept with Marianne Pousseur, Direction, Sets, Video, Lighting.
2014
  • HUIS, from Michel de Ghelderode, directed by Josse de Pauw, production Festival d’Avignon, LOD Ghent. Visual Dramaturgy and Lighting Design.
  • ABEN HAMET, opera by Théodore Dubois, conducted by Jean Claude Malgoire. Directed by Alita Baldi, production Atelier Lyrique of Tourcoing. Lighting Design.
  • Receives the “Franco Abbiati” prize of the Italian music critics for his work on the Ring of the Nibelung at the Teatro alla Scala in Milan.
  • Begins the design work on a permanent show, LA PERLE, for Franco Dragone in Dubai, as lighting designer.
  • BURNING BRIGHT, opera for percussion and lights, music by Hugues Dufourt, production of Les Percussions de Strasbourg, stage space design and Lighting Design.
2015
  • AJAX, from Yannis Ritsos, third episode of the Trilogy of the Elements. Concept with Marianne Pousseur, Direction, Sets, Video. Lighting Design.
  • CHILDRENS OF NOWHERE (GHOST ROAD 2), text and direction by Fabrice Murgia, production LOD Ghent, Théâtre National de Bruxelles. Lighting Design.
2016
  • TRISTESSES, text and direction by Anne-Cécile Vandalem, production Festival d’Avignon, Théâtre National de Bruxelles. Lighting Design.
2017
  • MENUET, opera by Dan Janssens, from Louis Paul Boon, conducted by Philippe Rathé, directed by Fabrice Murgia, production LOD Ghent. Lighting Design.
  • TRILOGY OF THE ELEMENTS, from Yannis Ritsos, complete Trilogy of the Elements. Paris and Brussels, Concept with Marianne Pousseur, Direction, Sets, Video, Lighting.
  • LA PERLE, permanent aquatic show directed by Franco Dragone, production Dragone - Al Habtoor Dubai, Space Design and Lighting Design.
2018
  • I WAS LOOKING AT THE CEILING AND THEN I SAW THE SKY, music by John Adams, libretto by June Jordan, conducted by Philippe Gerard, production of the Opéra de Liège and the Théâtre National de Bruxelles. In collaboration with Marianne Pousseur: Concept, Direction, Sets, Lighting and Costumes.
  • ARCTIQUE, text and direction by Anne-Cécile Vandalem, production Festival d’Avignon, Théâtre National de Bruxelles. Lighting Design.
  • PAGLIACCI by Ruggero Leoncavallo and CAVALLERIA RUSTICANA by Pietro Mascagni, conducted by Carlo Rizzi, directed by Pippo Delbono, production Opera di Roma. Lighting Design.
2019
  • ANNA BOLENA, opera by Gaetano Donizetti, conducted by Riccardo Frizza, directed by Andrea De Rosa, production Opera di Roma. Lighting Design.
  • BEGINNERS, from Raymond Carver, directed by Piet Artfeuille and Nathalie Tierlink, production Théâtre Malpertuis. Lighting Design.
  • MÈRE COURAGE, by Bertolt Brecht, directed by Christine Delmotte Weber, production of the Atelier Jean Vilar and the Théâtre des Martyrs Brussels. Lighting Design.
2021
  • SKRIK, show by Elisabeth Woronoff, production of the Théâtre National de Bruxelles, Set Design and Lighting Design.
2022
  • MADRIGALI DIALOGUE AVEC LA LUMIÈRE, show by Enrico Bagnoli and Marianne Pousseur, production of Khroma and the Brussels Conservatoire, Concept, Direction, Set Design and Lighting Design.
  • HEDDA, by Sebastien Monfe, directed by Aurore Fattier, production of the Théâtre de Liège. Lighting Design.
2023
  • Preparatory studies for the project QUARTETTO - DIALOGUE AVEC LA LUMIÈRE #2, production of Khroma and Ars Musica Brussels. Concept with Marianne Pousseur, Direction, Set Design and Lighting Design.
2024
  • TRAGEDIA DI UNO SGUARDO - DIALOGUE AVEC LA LUMIÈRE #2, production of Khroma and Ars Musica Brussels, Brigittines Brussels. Concept with Marianne Pousseur, Direction, Set Design and Lighting Design. First performance on 12 November 2024.